Material: Charcoal on paper (or similar drawing medium)
Date range: 19th century
Origin: Painted by Ludwig Thiersch
A large-scale sketch in charcoal (BXM 18060) depicting the Nativity of Christ . The sketch is executed in a detailed, academic, and highly emotive style characteristic of 19th-century European art, particularly the period's religious Revivalism. The artist is identified as Ludwig Thiersch.
The composition centers on the Virgin Mary and the Christ Child, with surrounding figures arranged in a traditional yet intimate manner:
The Virgin Mary and Christ Child: The Virgin Mary is seated, clad in long, flowing robes and a veil, gazing tenderly at the newborn Christ Child, who lies naked on a bed of straw or cloth laid upon rough stones (the manger). Her hands are placed over the Child in a gesture of protection and adoration.
Saint Joseph: To the far left, Saint Joseph is seated, resting his head thoughtfully on his hand, observing the scene with a pensive expression.
Angels: To the right, three or more Angels are gathered, also in long robes, with prominent wings visible behind the central figures. They gaze down upon the Christ Child with reverence, one angel reaching out a hand gently towards the infant. All the holy figures are distinguished by clear, circular halos rendered in the sketch.
Setting: The background suggests the cave or stable of the Nativity, with rough-hewn rock and stone forming the setting.
The use of charcoal creates strong contrasts, emphasizing the light radiating from the Christ Child and the solemn atmosphere of the scene. The fine detail in the drapery and faces demonstrates the high level of technical skill.
Museum label reference: Sketch in charcoal with the depiction of the Nativity. Painted by Ludwig Thiersch. 19th c. BXM 18060
Original Text: Σχέδιο με κάρβουνο με παράσταση της Γέννησης του Χριστού. Ζωγράφος Λουδοβίκος Θείρσιος. 19ος αι. BXM 18060